On the south face of Annapurna, at 7,400 metres, Iñaki Ochoa de Olza is dying. His rope companion sounds the alarm. And, from the other side of the world, the biggest rescue attempt in the history of the Himalayas gets underway. For four days a dozen men including some of the best mountaineers in the world, from ten countries, set out to try to rescue their stricken comrade.
Even beyond his peaks Iñaki is an exceptional man. As exceptional as the rescue attempt itself and the men who risked their lives to save him. Exceptional because their one driving rule is to live.
To live in the only way possible: with pure intensity and honesty.
Pablo Iraburu & Migueltxo Molina
Arena Comunicación Audiovisual & Txalap.art
Gender: Documentary
Duration: 81'+52'
Shooting format: HDCAM
Projection format: DCP, DVD, MP4
PABLO IRABURU director, screenwrite & executive producer
My work as a film producer has grown from many different roots. My career took a radical turn when I founded Arena Comunicación Audiovisual, a documentary production company specialising in human interest stories. Arena´s activities have taken me to film in very diverse parts of Asia, Latin America and Africa.
My experience as co-producer and co-director of 'Nomadak tx' helped me to discover the enormous potential for universal interest in what can be simple stories of individual experiences. Then began the search for a new story that would allow me to take this theme much further.
And now it has arrived. The great story of the rescue of Iñaki is as spectacular as the life of the man himself. Iñaki loved to climb: I love to make movies. For this season I see this movie as a gift... and also as an enormous responsibility.
MIGUELTXO MOLINA co-director & co-screenwriter
After studying Communication Studies and Masters in UCLA in Los Angeles, I've been working mostly as an editor and photographer in various production companies. My beginnings were more geared towards fiction, but over time I was part of several teams with the highest projection in the documentary genre.
My experience as a filmmaker was defined when I joined the staff of Communication Arena. Although I started as an editor, I gradually gain more experience behind the camera until he reached a turning point: the possibility of co-directing with Paul Iraburu the story about the attempt to rescue Iñaki Ochoa de Olza, on Annapurna.
A lot of things coincided. As a journalist, the first interview I did in my life was precisely to Iñaki, back in 1996. Turns out it, I was a friend of his younger brother Daniel Ochoa de Olza, with whom I shared desk at the time of the school. And it was true that Inaki had always been a reference in the world of the mountain, which I had always practiced as a hobby. Being the co-director of the story of his rescue was like closing a circle.
The Iñaki's story is fascinating, his life was an example of perseverance and passion for the mountains. We are of the same city, and curiously mingled our lives at different times in our stories.
The opportunity of co-direct this movie was the best present I have never had: an illusion and an honor.
IGOR OTXOA Executive producer
We´re setting off from a good base camp; advantage of being good friends who have worked together before. The world needs to know people like Iñaki, to understand that you can live without fear, with honesty, opening your eyes to the world and your arms to the people.
MARGA GUTIÉRREZ DÍEZ Director of production
I have travelled through half the world producing documentaries for Arena Comunicación. The story of the rescue for Iñaki Ochoa de Olza is the latest gift for me. Coming soon to cinemas!
ITZIAR GARCÍA ZUBIRI Head of production
We´ve made 3 promises to Iñaki´s familiy. We must remain faithful to his philosophy: we are achieving that; this story is full of people with great values. That his message should be shown to the world. That it earns a lot of money for SOS Himalaya. I´ll do whatever I´m capable of.
RAÚL DE LA FUENTE Director of photography
I see this project as a gift. Also a challenge because Pablo was looking for an special type of filming. He had very fixed ideas on how it should be done and I was enthused by his vision. Sombre, elegant, beautiful. Complex, high-quality, high-definition whith fixed cinematic lenses.
MIKEL SALAS Original Soundtrack
The movie has several elements that motivate me: the events are true, I can count on the confidence of the director to create with freedom and also the motivation that comes from the target of the profits, makes movie sounds better than ever.